Final Fantasy 6 Review

From Guest blogger Helen Davis

Final Fantasy 6, or known as 3 in North America, is one of the greatest RPGs of all time. It  certainly ranks high on the nostalgia factor, and many iconic moments in Final Fantasy history are portrayed in this game. An unforgettable cast of characters, top-notch graphics for the time, a stunning soundtrack and an intriguing storyline keep the player hooked till the very end.  How does it hold up from a Christian perspective?



Very well, actually.  Though there are some moments that are questionable, mainly that one of the final bosses is based on the Virgin Mary, the plot throughout the game more than makes up for it.  Unlike FF9, which views souls as recyclable and life as meaningless, FF6 seems to incorporate more of the biblical worldview, or at least, not anti-biblical. Many of the characters face losses but deal with them in ways that are more consistent with Scripture—Locke feels remorse over the death of his first love, Rachel, believing he couldn't protect her.   He resolves his guilt at the end and decides to move onto his new love. Cyan loses his wife and child and is nearly destroyed, but receives his courage back, believing he must move on and leave the past in the past.  He later becomes a powerful asset to the party, although the Dreamscape sequence in the World of Ruin with Cyan is somewhat creepy. Celes tries to commit suicide after the loss of her only family member, but regains her courage and gathers the party back together.  Though the reason why she should not commit suicide is not addressed, the fact that she is able to recover, move on, and reunite the party shows why we should not. 


The star of the show, though, I feel is Terra. Terra is, in many ways, quite similar to Christ. First of all, her Japanese name, Tina, is actually a shortening of Christina, a feminine form of Christ's name. She is also half human and half esper, and bridges the gap between them, much like Jesus bridges the gap between God and man.  Terra also desires to learn what love is, and finds it not in a carnal way, but in protecting the children in Mobliz. Terra is also unjustly accused and persecuted during the course of the game. At the end, Terra even offers to sacrifice herelf for the party, but remains on earth as a human, in a somewhat interesting parallel to Christ's resurrection. 

Those who begrudge Final Fantasy females such as Aeris and Rinoa should look to Terra and Celes. Both women are strong female protagonists that overcome personal and exterior difficulties to emerge as leaders, Terra in the first half and Celes in the second.  Both are amazing women that complement each other and even form a friendship.

Kefka is also an interesting counterpart to Satan. Saying he wants to destroy all and create a monument to nonexistence is exactly what Satan wishes to do—in Jesus's words 'the thief comes but to steal, kill and destroy.' What words better sum up Kefka Palazzo?  The first scene of him shows him 'destroying' Terra's innocence and ordering her to 'kill kill kill!' The second scene has Kefka 'stealing' General Leo's authority over the Doman mission, killing many with poision, and 'destroying' Cyan's life. His horrors do not end here, as in the interlude on the Floating Continent, Kefka commands the warring triad to strike down Emperor Gestahl so Kefka can rule- an allegory to Satan trying to usurp God. Kefka is later known as destruction and seems to be completely evil with no redeeming qualities, unlike villians such as Golbez or Sephiroth, who at least showed remorse or motive.

The end of the game shows the cast finding joy in spite of the fact the world is nearly dead. Terra has found love. Locke and Celes have found each other. Cyan carries his family inside of him. Gau has his friends. Sabin and Edgar have each other. Setzer has his dream After threatening to destroy  all their dreams and hopes, Terra counters that life continues and that it's not the end result of life that matters, but the day to day joys of life and love. 

Is FF6 perfect? No. But in comparison to the poison of FF7's recyclable souls and FF9's 'our memories live on', it's a breath of fresh air. Highly recommended.

Summer Internship Opportunity

Please let me know if you are interested:

This is a summer paid internship position.

The intern will be the main Unity developer for an educational program that is being designed. Unity dev skills with C# coding skills are both required. 2D dev experience, mobile development experience, and HTML5 experience would be great, but is not required.

The project will be a mobile and desktop game, built in a 2D environment.

If We Don't Save History, No One Will






The only surviving recordings of long dead indigenous tribes. Numerous Egyptian mummies, including an unopened coffin. Frescoes that survived the eruption of Vesuvius. Artifacts from the Nazca and Inca cultures, including a 3,500 year old Chilean man. An impeccable fossil record that boasted of 110 million year turtles, the nation's largest sauropods, and its most unique carnivores. The biological collections of hundreds of diverse insects and birds. An invaulable record of our global heritage, the fruits of 200 years of labor, were in one night baked, burned, and broiled. Brazil's independence day, for many, came not with cheers, but with weeping.



Brazil is far from the only place where history is threatened or destroyed. The Taj Mahal is now so discolored and degraded by air pollution that an Indian Supreme Court has suggested either shutdown or demolition. The Notre Dame de Paris is falling apart and is in need of a $114 million restoration, which currently relies on foreign donations. 2,000 kilometers of the Great Wall of China have disappeared since the Ming Dynasty, with only 8.2% of it in good condition according to a 2014 study. The Colosseum is routinely vandalized by tourists. In 2014, the beard on Tutenkhamen's mask snapped off during cleaning and was crudely glued back on, but thankfully repaired with beeswax by professionals in 2015. Consider too our natural history. The Great Barrier Reef is being bleached into ruin by rising ocean temperatures. Everest, our highest peak, is accumulating trash and human waste. Severe droughts influenced by climate change are degrading the Amazon rainforest. Floating islands of garbage are filling our oceans and farm pollution has produced an oxygen-lacking dead zone in the Gulf of Mexico. Will Venice, New Orleans, or the Maldives still be above land when the seas rise? How much access to their history and culture will be lost as a result?

This century alone has seen incalculable loss to the greatest treasures of history. In 2007, IKEA destroyed ten ancient tombs dating back 1,800 years to make room for construction in China's Nanjing province. Greenpeace lost much of its credibility as a conservationist movement in 2015 when its activists illegally crossed into the Nazca Lines and permanently damaged the soil. In 2013, a 2,300 year old Mayan pyramid was bulldozed so its limestone could make new roads. That same year, a 5,000 year old pyramid was bulldozed by construction companies in Peru. In 2014, a 5,000 year old rock painting in Quesada, Spain was destroyed by thieves who tried to steal it. ISIS, ravaged the glory of the Middle East in Mosul by destroying statues that date to Assyrian and Akkadian eras, blew up the tomb of Jonah, and brought ruin to Syria's historic Palmyra. Meanwhile our "ally", Saudi Arabia, continued its rape and pillage of Islamic heritage in Mecca by building a garish clocktower over a historic Ottoman fortress. Never mind the botched art "restorations": The Roman mosaics in Turkey, a 500 year old St. George statue in Spain, and new concrete was slapped onto the Spanish medieval castle of Matrera. On and on and on it goes, where it stops, nobody knows.

We lament the burning of Alexandria's library by Ceasar's army, the destruction of Baghdad by the Mongols, the smashing of Qurayshi idols by Muhammad, Napoleon's army using the Sphinx for target practice, Heinrich Schliemann's careless erasure of Troy, the Crusaders who sacked Constantinople and melted bronze Roman statues into coins, the carzed hammer attack on Michelangelo's Pieta, the Taliban's literal "defacing" of Buddhist statues, Saddam Hussein's crude makeover of ancient Babylon, and the current idiot-in-chief's demolition of priceless Art Deco sculptures to save money on phallic tower, but we are not far from the mistakes of history, and history has all too often repeated itself.

We are grateful to the Irish monks and Muslim scholars who kept the wisdom of the Greco-Roman Ancients alive, to First Lady Dolley Madison for rescuing Stuart's portrait of Washington from the White House fire, to Secretary of War Henry Stimson for knocking Kyoto off the firebombing list during the Pacific War, to the Malians of Timbuktu who saved their ancient manuscripts from the Turaeg rebels, and many others, but such heroes are few and far between. History always has so very few heroes.

The greatest threats to history are war, greed, dictatorship, vandalism, and negligence. The latter was what struck Brazil's museum. Brazilians have complained of austerity measures that cut funding to the musuem's upkeep. A situation so terrible that the museum did not have fire sprinklers, that even my college apartment has, nor were firefighters able to access hydrants to put the fires out. Brazil could apparently afford to host the World Cup in 2014, the Summer Olympics in 2016, but not to install fire sprinklers in its national museum. This is what happens when profit is put over people. If our history isn't even safe in musuems, among the curators, then it isn't safe anywhere. We must redouble our efforts, all of us, as global citizens, so that access to the treasures of our heritage, the lineage of our ancestors, the very stuff that makes us human, is never again erased from the modern memory. Even here, there is hope. After the tomb of Jonah was destroyed, archaeologists discovered an Assyrian palace not seen since 7th century BC. There's a lesson in that, perhaps.